Holland - Lovely Bones

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Item#: 1084032

Item: Holland - Lovely Bones - 12

Artist: Holland
Title: Lovely Bones
Music: Rock and Pop
Format: 12
Number Of Items: 1
Condition: This item is New
Label: Destination Moon

Item Weight (kilo): 0.21
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£5.70 VAT Inc £4.75 VAT Ex

Details:
Our intention with this label, as well as having a platform to release our own material from, has always been to put out music that we're into. Holland combine some of my favourite sounds, making catchy and uplifting melodic music that sounds honest” James Spence, Rolo Tomassi

Holland will release their debut single ‘Lovely Bones’ on 27th February 2012, through Destination Moon, the label set up by Rolo Tomassi. This will be the first non-Tomassi release.

The Brighton-vs-Cornwall-based band originally started as a solo project from Jason White but soon turned into a five piece band with an equal interest in Grizzy Bear melodies and My Bloody Valentine ‘gaze.

Members: Jason White - vocals/guitar Luke Davies - guitar Adam Riches - keys/guitar/vocals Oliver George - bass Casey Mchale – drums Esoteric Recordings are proud to announce the release of a Deluxe 2CD Expanded edition of Matching Mole’s album “Little Red Record”. Formed in 1971, Matching Mole originally featured former Soft Machine drummer Robert Wyatt, former Caravan keyboard player Dave Sinclair, guitarist Phil Miller, bassist BILL Mccormick with guest keyboard player Dave Macrae.

Their wonderful self-titled debut album was recorded between December 1971 and February 1972, following which Dave Sinclair departed, with Dave Macrae assuming a full time role within the band. “Little Red Record” was Matching Mole’s second marvellous album, recorded in August 1972 and was produced by King Crimson leader Robert Fripp.

This Esoteric Recordings edition has been newly remastered from the original master tapes and is expanded to include four previously unreleased studio session alternate takes and Matching Mole’s appearance on BBC Radio One “In Concert” in July 1972. The booklet restores all original artwork and includes an essay by Sid Smith.
Esoteric Recordings are pleased to announce the release of the album “Strange New Flesh”, the debut of the now legendary band Colosseum II.

Formed in 1975 by virtuoso drummer Jon Hiseman upon the demise of his band Tempest, Colosseum II was famous for showcasing the talents of Irish guitarist Gary Moore, keyboard player Don Airey, bassist Neil Murray and vocalist Mike Starrs who comprised the ranks of the group.

“Strange New Flesh” was released by Bronze Records in 1976 and was a masterpiece of Progressive Rock with Jazz overtones. This Esoteric Recordings reissue is expanded to include ten bonus tracks comprising studio demos from 1975 and 1976, including a version of Graham Bond’s ‘Walking in the Park’. The release restores the original album artwork and includes a new essay.
Esoteric Recordings are pleased to announce a new remastered edition of the wonderful 1978 album by Lindisfarne, “Back and Fourth”.

The album was the first by the band for some years and was the reforming of the group who had enjoyed hit singles and albums in the early part of the decade. Produced by Gus Dudgeon, “Back and Fourth” featured the hit single ‘Run For Home’ written by Alan Hull and marked a return to form for the Newcastle group.

This Esoteric Recordings reissue is remastered, includes two bonus tracks and a booklet that fully restores all original album artwork and features a new essay.
Esoteric Recordings are pleased to announce a new remastered edition of the wonderful 1978 live album by Lindisfarne, “Magic In The Air”. The album was recorded at Newcastle City Hall on Christmas Eve 1977 and was a reunion event which would eventually lead to the band recording their 1978 studio album “Back And Fourth”.

The live set performed by the band featured classic tracks such as ‘Lady Eleanor’, ‘Fog On The Tyne’, ‘January Song’, ‘Meet Me On The Corner’ and ‘Winter Song’ with Lindisfarne in fine form.

This Esoteric Recordings reissue is re-mastered from the original master tapes and includes a booklet that fully restores all original album artwork and features a new essay.
Esoteric recordings are pleased to announce the release of a newly remastered and expanded edition of Tangerine Dream’s classic 1988 live album “Live Miles”.

The album comprised two performances of a line-up that featured Edgar Froese, Chris Franke and Paul Haslinger, recorded Albuquerque, USA in the summer of 1986 and at a special open air concert to celebrate the 750th anniversary of the city of Berlin in August 1987.

Released in April 1988, the album was an incredible ambient experience and heralded the end of a stage of Tangerine Dream’s career, being the final appearance of Chris Franke with the group.

This Esoteric reactive edition is newly remastered and fully restores the original album artwork and includes a lavishly illustrated booklet with new essay.
Remastered from the original masters tapes from the vaults of the iconoc Capitol building in Los Angeles come to classic soul albums. Released for the first time on CD, “L.J. Reynolds” and “Travelin’” are two early 80s gems from one of the best soul voices in the business. “L.J. Reynolds” from 1981 including the luxury soul standard “Key To The World”, then “Travelin’ in 1982 with more timeless soul in “Say You Will” and his take on the Aretha Franklin song “Call Me”. L.J. Reynolds still makes quality soul and gospel records today. There are songs and productions too by Ronnie McNeir, all supported by many of the best musicians and arrangements from a golden era of the music.
‘Til Tuesday were a popular new-wave/synth pop band of the 1980s. which brought to us the talents of Grammy award winner Aimee Mann.

‘Til Tuesday were signed to Epic after winning Boston’s WBCN Rock and Roll Rumble in 1983 and released their debut album Voices Carry two years later. Through signing to Epic they secured the production talents of Mike Thorne (Soft Cell, Soft Machine, John Cale, The The and Bronski Beat)

Voices Carry was released in 1985 and featured their breakthrough single of the same name which reached #8 in the US Hot 100 and #14 in Billboard Magazines US Rock Tracks Chart. They followed this up with two more hit singles from the album in the form of Looking Over My Shoulder and Love In A Vacuum. The latter had been a big college rock hit in its demo form before the band signed to Epic.

‘Til Tuesday also managed to win the MTV Video Music Award for Best New Artist with the video for the Voices Carry single in 1985,

Hot Shot Records is proud to present Voices Carry fully remastered, in a deluxe Super Jewel case with extensive liner notes including exclusive interviews with Robert Hoimes (guitarist) and Mike Thorne as well as three bonus single remixes, two of which make their debut CD release here.

•This Hot Shot Records expanded remaster is a must for all fans of 80s pop, new wave and modern rock.
It’s been nearly fifteen years since the vinyl-only releases by the various ensembles helmed by Jay and Max Whitefield – also known as the Whitefield Brothers and the nucleus of the revered Poets of Rhythm – were collated onto an Original Raw Soul album. The last – 1997’s More Original Raw Soul – largely contained the duo’s heavy funk and soul… well before the aughts’ Deep Funk revival that one could argue began with these two German siblings’ earliest recordings.

Fitting, then, that this – Original Raw Soul III – looks back at recordings dating back over twenty years but never once sounds dated or dull. There’s the garage funk of the early Poets incarnation the Bus People Express; the deep jazz of vocalist Bajka gigging with a Max Whitefield ensemble; the pan-African psych-jazz of the Whitefield Brothers. And that’s just three of the ensembles contained within. Original Raw Soul III contains sixteen tracks that span the gamut of forty years of musical innovation, recorded over the past twenty years, and presented anew today. Contains two previously unreleased songs by The Transgressors, also released on a 7” in conjunction with this album.

Rare and unreleased funk, jazz and soul and world psych by Now-Again stalwarts Whitefield Brothers, Karl Hector and The Malcouns, and the Poets Of Rhythm Mini-LP tip on sleeve packaging with original art by Lewis Heriz Electricity In Our Homes consist of Paul Linger (drums), Charles Boyer (guitar / vocals) and Bonnie Carr (bass / vocals). ‘Dear Shareholder’ is their first album since forming in 2007, which if nothing else shows how the trio have been moulding careerist convention to suit their own means in the shadows of this hyperfrantic get-rich-quick-or-split-up-trying music industry. The casual pace has been working in their favour, too: 2011 found the trio starring on the main stage at the 1234 Festival with the likes of Black Lips and The Raveonettes, and their European excursions mean they are now as likely to play in Leipzig as they are Liverpool. Nor have they been slacking on the recording front: championed by alternative icons as varied as Tim Burgess and Colin Newman of Wire EIOH have worked stealthily on the East London underground and released six singles on a selection of esteemed indie labels including Too Pure and 4AD. Of those previous products last year’s ‘Appletree’ single and their most recent double AA-side 'Aching, Breaking’ / ‘Drumming Around The Room (Parts 1 and 2)’ – released on the Tim Burgess-owned O Genesis label in the summer – make the cut on ‘Dear Shareholder’, with another seven prime examples of pop-defying melodic bendiness bringing up the gently riotous rear. With a clattering rhythmic undercurrent, some seriously scratchy guitars and Bonnie Carr’s gently growling bass often to the fore, ‘Dear Shareholder’ melts the mind by putting the disco into discordant. ‘Fast As Lightning’ evokes the intense knockabout spirit of Postcard, the hypnotic ‘Oranges’ is borne of the Stereolab lab, ‘Buddy Lemonade’ guzzles from the C86 siphon and pretty much everything else sounds like there’s a rum-swiggingly room-spinningly ramshackle Peel Session party going on in their head and everyone’s invited.

Released in slimline card CD wallet Electricity In Our Homes consist of Paul Linger (drums), Charles Boyer (guitar / vocals) and Bonnie Carr (bass / vocals). ‘Dear Shareholder’ is their first album since forming in 2007, which if nothing else shows how the trio have been moulding careerist convention to suit their own means in the shadows of this hyperfrantic get-rich-quick-or-split-up-trying music industry. The casual pace has been working in their favour, too: 2011 found the trio starring on the main stage at the 1234 Festival with the likes of Black Lips and The Raveonettes, and their European excursions mean they are now as likely to play in Leipzig as they are Liverpool. Nor have they been slacking on the recording front: championed by alternative icons as varied as Tim Burgess and Colin Newman of Wire EIOH have worked stealthily on the East London underground and released six singles on a selection of esteemed indie labels including Too Pure and 4AD. Of those previous products last year’s ‘Appletree’ single and their most recent double AA-side 'Aching, Breaking’ / ‘Drumming Around The Room (Parts 1 and 2)’ – released on the Tim Burgess-owned O Genesis label in the summer – make the cut on ‘Dear Shareholder’, with another seven prime examples of pop-defying melodic bendiness bringing up the gently riotous rear. With a clattering rhythmic undercurrent, some seriously scratchy guitars and Bonnie Carr’s gently growling bass often to the fore, ‘Dear Shareholder’ melts the mind by putting the disco into discordant. ‘Fast As Lightning’ evokes the intense knockabout spirit of Postcard, the hypnotic ‘Oranges’ is borne of the Stereolab lab, ‘Buddy Lemonade’ guzzles from the C86 siphon and pretty much everything else sounds like there’s a rum-swiggingly room-spinningly ramshackle Peel Session party going on in their head and everyone’s invited.
Every songwriter needs his muse and in 1969 a prolific partnership combining an American songwriter with a Brit girl vocalist scaled the UK pop charts with a string of outrageously catchy singles.

Kenny Young, the pen behind The Drifters’ ‘Under The Boardwalk’ and Reparata and the Delrons’ ‘Captain Of Your Ship’ hooked up with Clodagh Rodgers and a hit making team was born.

Kenny turned Ballymena born Clodagh’s Northern Irish luck around transforming her into a walking one woman girl group with ‘Come Back And Shake Me’ , ‘Goodnight Midnight’ and ‘Biljo’ – brilliant bubble gum pop with catchy choruses featuring soaring vocals, heavy brass, bass and the fuzziest of guitars.

‘Come Back And Shake Me - The Kenny Young Years’ shuns the cover version fillers typical of the time and compiles all of Clodagh’s recorded highs with Young. Culled from A sides, B sides and three RCA albums she recorded with him between 1969-1971 - together with 'Give Me Just A Little More Line' a rare Rodgers and Young single recorded under the name Moonshine.

This compilation follows her musical journey all the way to Dublin where Clodagh represented the UK in hot pants at the 1971 Eurovision Song Contest performing Eurotrash smash on a string, ‘Jack In The Box’.

Come back and hear Clodagh and Kenny’s hit making years once again presented for the first time in this unique way.
Peter Jay and The Jaywalkers were a popular early 60s Instrumental combo who rode out the Beat boom with a string of excellent 45s: if they started out sounding like The Shadows, they ended up closer to Booker T. and The MG’s.

Having caught the tail-end of the instrumental boom with hit 45 ‘Can Can ‘62’, they recorded a further eight singles for Decca and then Pye, many produced by the legendary Joe Meek.

This is the first time that The Jaywalkers’ recordings have officially been compiled onto CD, remastered from the original tapes.

Both Peter Jay and guitarist ‘Big Boy’ Pete Miller are cooperating with this release, via a raft of aneCDotes and rare photos/images.

‘Parchman Farm’, ‘Before The Beginning’ and ‘Red Cabbage’ (as in ‘Green Onions’!) are now valuable collector’s items among the Mod fraternity.
Re-press: CD originally released in 2007

We return to the successful 60’s Brit Girl series Dream Babes for the seventh time, with a theme that is a focus on the ‘Beatier’ end of the spectrum.

Taking Merseybeat as a bench marker we include a few tunes that illustrate the sounds around at the time Merseybeat struck , such as American pop covers Pop Pop Pop Pie and That Boy John, the Showband recording of Baby Roo, and Joe Meek’s production of Hobbies. Then progress through prime time Beat records , such as The Beat Chics rousing Now I Know complete with swirling farfisa like organ in the middle section, very reminiscent of early Animals. A motif that returns on the Alan Price produced Can’t You Hear My Heartbeat. Finally emerging mid-decade with a hint of what came next, Motown influenced backbeats and horn parts perfectly exampled on Lets Start The Party Again.

On Beat Chic we also include a healthy dose of recordings being reissued for the first time, such as those by Polly Perkins with whom we have just connected (preface to a Polly Perkins solo collection). Also three previously unreleased recordings, those by Christine Holmes, discovered in the archives of songwriter Pete Dello where Miss Holmes assisted the pre- Honeybus artist/writer with early demos.

A usual treasure trove for Dream Babes followers.
Things Mike Doughty would like you to know about his new album Yes And Also Yes.

The title Yes And Also Yes was headline of my profile on an online dating site. I improvised it, because they wouldn't let me post until I wrote a headline. U was wretchedly unsuccessful at online dating.

The singe “Na Na Nothing” was partially stolen from a song written by Nikki Six, Dan Wilson (wrote “Closing Time”), and Matt Gerrard (wrote a bunch of tunes in “High School Musical.”) I got their permission to steal it.

“Holiday” is a duet with Rosanne Cash. I did a show with her and she said, on stage, “I feel nervous playing my new songs, because Mike Doughty is here, and he’s such a great songwriter.” That blew my mind.

The song “Into The Un” was written for, and rejected by the Twilight soundtrack. (Its about goth kids on LSD in a train station).

I recorded the album in a studio in Koreatown, Manhattan, from July ’10 to April ’11. Produced by Pat Dillett. Notable musicians included my trusty factotum Andrew “Scrap” Livingston on bass, and the pianist Thomas Bartlett, aka Doveman, who basically plays with everybody who’s groovy (Justin Bond, Antony and the Johnsons, Glen Hansard, The National, David Byrne, Yoko Ono). I’m releasing it on my own label Snack Bar. I split with Dave Matthews’ label ATO so I could run my own shop.

I wrote most of the songs at the legendary artists’ colony Yaddo, where Leonard Bernstein, Aaron Copland, James Baldwin, Truman Capote, Flannery O’Connor, Carson McCullers, Sylvia Plath, and a lot of other all-time giants worked. It was founded by a railroad tycoon’s wife, in her mansion, built in the 1890’s. They put up artists for a month or two, feed them in an opulent dining room, and give them space and time to work.

I used a capsule of the antidepressant duloxetine as a percussion instrument on some tracks. I held the tiny pill between my thumb and forefinger, put it close to the mic and shook it so it made a shcka-schka-shcka sound.

I wrote a book about my ugly, drug-doing years called The Book Of Drugs. It’s published by Da Capo Press and is on sale in Europe now.
Minimal Wave: Underground DIY electronic music from North America and Europe in the late 70s and 80s. Characterised by 70s synth and drum machine production and home recording, most of these tracks were privately released on limited-edition cassettes or vinyl and known only to a handful of people over the years.

New Yorker Veronica Vasicka has spent the past five years painstakingly building the Minimal Wave catalogue, and a label of the same name that specialises in digging up and reissuing the music. Partnering here with Stones Throw, the recordings have been officially licensed, re-mastered from their analog source tapes and compiled here by Vasicka and Stones Throw’s Peanut Butter Wolf.
The Popes return with their new album in March 2012 – the follow up to 2009’2 critically acclaimed “Outlaw Heaven”. “New Church” is the band’s strongest album to date - from punked up blitzkreig of opener “Storming Heaven” to the rousing Celtic tones of “How Many Bullets”, from the feel-good anthem that is “Alice” to the Bond theme-esque vibe of the brooding “In A Broken Dream”. The album also features as stunning guest slot from Howard Marks on “Throw Down Your Aces”. The album was produced by The Popes. The band are an established live draw. March 2012 will see them on a full UK tour as main support to The Stranglers. With festivals and further dates to follow later in the year. Shane MacGowan formed The Popes to record his album 'The Snake' in 1994 after leaving The Pogues. The band released two studio albums and a live album with Shane but have gone onto record a further three albums with Paul (Mad Dog) McGuiness taking charge of lead vocals. “New Church” is the bands fourth album. The current lineup of The Popes are Paul (Mad Dog) McGuinness - Guitar and Vocals, Charlie Hoskyns - Guitars and Backing Vocals, Will Morrison - Drums and Backing Vocals, Dave Allen – Fiddle and Backing Vocals, Jim McAllister – Bass and Backing Vocals and Whiskey Mick – Mandolin and Backing Vocals.
Lee Fields is a bona-fide, 100%, unadulterated, pure, gut-bucket soul singer. While the crate-digging funk and soul community bestowed \legendary\ status upon him due to his undeniably solid series of rare 7\ singles (and one LP) recorded and released on his own independent labels in the 70s, he\'s never been one to sit in a dusty corner. New York label/production team Truth and Soul, are ready to bring him to light with a brand new album of beat-heavy, deep soul ballads that will show soul revivalists the world over what real soul is.

After his rediscovery in the mid 90s, his faithful have featured him on a slew on singles, a full-length on Desco Records entitled \Let\'s Get It On\', a full-length on Soul Fire entitled \Problems\, and on Sharon Jones\'s critically acclaimed album, \Naturally\. Most recently, he has featured on a number of tracks by French house producer, Martin Solveig. Suprisingly, many of of those songs have become top ten hits for Solveig and have turned Lee Fields into a bonafide celebrity in France and other parts of Europe. Yet, outside of a rabid cult following, his story remained untold in America.

When Truth and Soul rose from Soul Fire\'s ashes in 2004, the first mission of label owners/producers Jeff Silverman and Leon Michels, was to record a sweet soul record that would be modeled after the near perfect formula that bands like The Moments, The Delfonics, and The Stylistics had created. In a nutshell - the duo wanted an album full of music that was both tough as nails and sweet as honey. They wanted ballads laced with lush strings and smooth vocal harmonies layered over a hard-hitting rhythm section. Michels and Silverman enlisted the service of a the group of New York studio musicians that have provided the back drop for records by The Dap Kings, Amy Winehouse, Bronx River Parkway, El Michels Affair and TV on The Radio. Those musicians include Leon Michels, Homer Steinweiss, Quincy Bright, Nick Movshon, Thomas Brenneck, Toby Pazner, Aaron Johnson, Dave Guy, Michael Leonhart, and members of legendary doo-wop group, The Del-Larks.

Four years later and Lee Fields and The Expressions have successfully created a unique and personal sound that can hold court with the bands they set out to emulate. However, what they’ve created in the process goes beyond just a carbon copy of a sweet soul music from the 60\'s and early 70\'s. The formula has remained the same but the style has been adapted for the ears of youngsters whose experiences with soul began with Amy, not Al, Otis and Marvin. Thirty years of retrospection has colored this cross-generational melding of the minds. It sounds odd on paper, but the results are classic: hip hop-reared record collectors come full circle to produce an album of beautiful soul music with one of the progenitors who made it all possible.
Truth and Soul Records is proud to announce the re-release of Lee Fields Problems. The sonic palette of this record reaches far and wide, ranging from the rampaging psychedelic funk of “Bad Trip” to the softer introspective sounds of “Honey Dove”, but that’s just the beginning. The album opens up with “The Right Thing”, a gripping tale of love found and love lost, set to the super heavy popcorn meets afro funk backbeat. In “I Don’t Know Where I’m going (But I know Where I Came From) the lays down a super heavy, Bobby Byrd-esque groove with Lee emoting frankly about perils people face and about finding your own way. We find our way to the title track, “Problems” a meditation on many of the trials and tribulations that Lee himself has had to overcome over the years.

The band supports him with solid, take-no-prisoners guitar, heavy bass and a mouth watering drum break that will have producers funning to their samples. “You Made A New Man Out Of Me” gives drummer Olu “Rocksteady” Owudemi the chance to lay down a drum beat that would make Clyde Stubblefield proud. The rest of the band follows his lead with succinct stabs of guitar and horns, while Lee floats over the top, giving thanks to the woman who changed his evil ways. “Rapping with Lee” finds Mr. Fields delivering a heartfelt discourse on how to keep and love one lady in a humorous and heartfelt way that only he could do. The fills in around him, with sweet horns and Fender Rhodes chiming in over a tough funk groove. Lee takes a break on “Clap Your Hands”, letting the band get down to business, with a heavy, happy party track that is a sure fire hit on dance floors worldwide. On “Honey” Lee pays tribute to his lifetime love over a slow, organ filled groove that hits hard and won’t let up. Last but not least “Near East” is another instrumental track by the band. They expand their sound, capturing an eastern feel and groove while still creating that innate funk toughness that The Explorers are famous for. Long out of print and highly coveted, we are happy to release the LP in a heavy paste-on jacket.
Lee Fields is a bona-fide, 100%, unadulterated, pure, gut-bucket soul singer. While the crate digging funk and soul community bestowed legendary status upon him due to his undeniably solid series of rare 7 singles (and one LP) recorded and released on his own independent labels in the 70s, he's never been one to sit in a dusty corner. New York label/production team Truth and Soul heLPed throw him a reintroduction party with the release of My World in 2009, an album chock full of beat-heavy, deep soul ballads. On the instrumental version of My World, the Expressions get their chance to shine on tracks textured with lush strings and funky horns, backed by a hard-hitting rhythm section. This instrumental set is the perfect companion piece to the original album.

Tracklisting:
Side A.
Lovely Bones

Side B.
Leau

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